DANIEL SMITH Winter Wonderland Watercolor Triad

It’s winter, and time to go “Walking in a Winter Wonderland”, artistically speaking, with DANIEL SMITH’s newest Watercolor Triad: Winter Wonderland! 

	Kyanite Genuine, Made from the remarkable blue crystal that shares its name, this amazing PrimaTek pigment granulates in pockets of soft blue gray while a crystalline sparkle floats to the surface. Wash this color over your paper with plenty of water for a multi-dimensional effect or use at full strength for metallic blue steel. Kyanite Genuine gives frost icicles and snow flakes a magic touch in your winter landscapes.
	Bloodstone Genuine, This PrimaTek’s pigment is made from the captivating red-dappled gemstone. In watercolor Bloodstone displays remarkable granulation and a rich, violet-umber hue. This textural neutral, with its soft mineral sheen, is the ideal earthtone for mountain crags peeking through snowcaps. Use it to add definition to your lanscapes with a range of values for shadows and shading.
	Phthalo Green (YS), A clean, clear pure hue color that washes from deep rich, almost black green to a transparent bottle green. This beautiful color is great for mixing and maintains its depth. It is a staining pigment that creates luminous clean glazes.

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Every Day,  Express Yourself  with  ART….
 
~Deborah Burns
 
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Easy Block Print Cardmaking Project - Painting in the Poinsettia leaves with DANIEL SMITH Sap Green Watercolor

Want a high impact and easy Printmaking Project, that you can make great cards with?  Well, here you are….

Design & Transfer:

1. Insert the smallest tip of the Speedball Lino Cutter into the handle, and begin “pushing” the tip onto your Safety Kut block to gauge out your design.
2. You will want to outline the basic shapes by gauging OUTSIDE or INSIDE the thick outlines – remember where you don’t gauge away the block the ink will stick and print.  You want to preserve that thick line.
3. Tip for choosing the direction to gauge, follow the general outline, or as I did with the petals and leaves of the poinsettia, gauge in the direction of the PATTERN of the leaf, or if (for instance) water, you would gauge the motion of the water flowing downstream and around rocks.  Remember to keep turning your Safety Kut block around so that you are gauging AWAY from you so you don’t gauge yourself!
4. For larger areas to gauge, switch your tip on the Speedball lino cutter to a larger tip.  Again, when gauging, think of how you want the lines of the gauge to show, for the poinsettia background, I gauged AWAY from my design all the way around the poinsettia shape.  Keep turning the Safety Kut block so that you are also gauging AWAY from yourself. 
5. Keep gauging away until you see the design appear. 
6. TIP – Don’t gauge away too much, you want to see the lines from your gauge marks.  You can always gauge away more if after you do a test print you decide too, but you CAN’T undo too much gauging.

1. Squeeze out some of the DANIEL SMITH Water Soluble Ink onto a glass palette or use white stoneware plate.
2. Using your 4″ Soft Speedball Brayer, roll over the ink to coat your brayer.
3. Roll inked brayer over your gauged design on the Safety Kut block and ink well.
4. Make a Test Print onto any plain white paper:  Lay paper down, carefully place inked block ink side down onto paper and press down hard.  Then keeping them together, CAREFULLY pick up them both up and turn over so that the paper is now on top, don’t let them slip or your image will be blurry. Take your sturdy spoon, and rounded side down on to paper, press down and rub the paper to burnish the ink onto the paper to get a good print.  You may want to carefully lift one corner to check and see how well the ink is printing onto the paper.
5. When you are satisfied that you have burnished in the ink, carefully pull the paper away from the inked block and reveal your Test Print!
6. You may want to do several test prints until you feel comfortable with inking the block, and printing the paper.
7. Now do the same with your Strathmore Watercolor Card.  You may find that you will need to ink your block more (tip rolling fast takes up ink, rolling slow lays down more ink) since Watercolor paper has different absorbency and have to press harder and longer with your spoon since the Watercolor Paper is thicker too.
8. Keep printing til you are done!
9. The prints will need to dry at least 24 hours (depending on the humidity) before hand painting with Watercolor.
10. You can do some small touch ups with your Sharpie pen to fill in small areas that the ink missed.

1. Decide on which DANIEL SMITH Watercolors you will be using and squeeze them out on your palette, just a little bit of paint.
2. Begin painting in the areas you want with the colors you have chosen.  It’s kind of like coloring when you were a kid, keep within the lines!  :  )
3. Use the watercolor full strength, or dilute to the color strength you desire and paint.
4. You can individualize the cards by subtly changing the color strength, in the technique in the way you paint the watercolor, or by choosing different colors for the cards.
5. Allow to dry and you are finished!

"Coral Garden" Newest DANIEL SMITH Extra Fine Watercolor Triad

Dive into DANIEL SMITH’s new Coral Garden Triad!